"There was just something about the dynamic of that band, in that church," says Jake, at home in Seattle front of his ASR-10 sampler and laptop, Crocs on his feet, daughter upstairs watching Dora. And originally it was, ripped from a live gospel album from 1990. What you hear on "Furthest Thing" sounds like a sample from an old record.
Then the second half breaks through like sudden sunshine, with loud drums, piano and a choir, and Drake picturing his death: "This the s- I want to go out to / Play this s- at my funeral if they catch me slippin'." The music has a flickering coolness to it. The first half feels like nighttime, with Drake listing things he does "on the low," like mobbin', drinkin', f-in', smokin', schemin' and plottin'. That's the case with the second half of the song "Furthest Thing," one highlight from rap/R&B megastar Drake's new album Nothing Was the Same.
In the context of a longplay, its own story is not meant to be lingered on.īut sometimes, there's a tale there - and always a lot more than meets the ear. P.The journey of a song from farm to table, so to speak, is not something listeners are likely to consider in the course of absorbing an album. I’m open-minded on this, so hit me with your best and wackiest interpretations 🙂
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Please feel free to agree, disagree, say the lyrics aren’t actually all that. Wait, I think I might be mixing my MCs as well as my metaphors here…!
Too deep? Maybe, but as a great man once said, ‘the deeper it gets boy the pressure increases…but pressure makes diamonds’. Perhaps there’s a little ‘live for today, not tomorrow’ motif being weaved in here. But the assonance in this lyric hints at how closely linked an unyielding determination to succeed can be to an unhealthy obsession. The contrast between ‘pyschotic’ and ‘iconic’ is really interesting to me as well, because I think everyone wants to leave behind some kind of legacy, whether it be through their children or through their work. The whole stanza is like the constant flipping of a coin, showing us both sides of the artist’s personality, and how he is trying to find a middle path between them, a way of striking a harmony. the sober part, and then trying to balance this with being more spontaneous, laidback and carefree about your worries, i.e. I don’t take drugs (unless caffeine counts) and I don’t drink much, but for me the lyric is about the mentality of being super alert and ready to seize the day, and being serious about your future, i.e. Even the last line, ‘Somewhere between I’m sober and I’m lifted’, I feel as though I can empathise with. Rapping has always had a braggadocio attitude associated with it, so whenever I hear a rapper just laying themselves bare for everyone to see and pick apart, I can’t help but admire them.Īnd I think everyone can relate to the feeling of being unsure of your feelings, and having a sense of being stuck between where you started and where you want to get to. I love the juxtaposition, coupled with the almost chilling honesty and the vulnerability that comes with this. I don’t know if it’s because I’m on a Gap Year, and I kinda feel in a bit of a limbo between High School and University, and the lyrics are based around a feeling of being inbetween emotions, but even though they’re nearly 5 years old I still get a tingle in my spine when I listen to them. Somewhere between a mistress and commitment Somewhere between I’m sober and I’m lifted One of my earlier post titles is actually a cheeky nod to this song’s hook, if you fancy it you can read it here 🙂 – I’m not sure why that’s relevant, so moving on… I’m actually writing this while sat in a Nothing Was The Same hoodie. My first set of lyrics is from the Drake song, Furthest Thing, which appears on his 2013 album Nothing Was The Same. I spent two years in Sixth Form studying English and picking apart layers and layers of meaning in poems, so I figured, why not delve a little deeper than Genius and do this with songs? I mean, they’re basically a form of contemporary poetry, right? Hey, maybe I’m onto something…Īnyway! I thought it could be cool to start sharing my favourite lyrics, or just lyrics that make me think and that perhaps go a bit deeper than your run-of-the-mill, poppin’ bottles poppin’ tags malarkey (I’m looking at you, Future), and hopefully you guys might offer up some alternative interpretations and make me see the lines in a different light. Why don’t they have real-life libraries like this? So we can just go in and read about Jay-Z’s latest album and feel like we’re studying Plato. So, for me, Genius is like Disneyland in an app. I’ve written before about my love for the app Genius, which holds explanations and analyses of pretty much every music and poetry lyric in existence.
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